Filmed, edited, posted and managed for you. Prices below, no forms to find out.
5.0 on Google · Melbourne based · Month to month, no lock-in
Most social media managers need you to send them content. I make it: planned, scripted, filmed, edited, posted and managed, off one shoot day a month.
Aaron and AY Creations have been a phenomenal help to my business in providing high quality videos, marketing and lead generation.
Thomas TangAaron has been one of the best decisions we have made for Ahh Maa. Over time he has become so much more than just a service, he feels like an extension of our team.
Amy GiangAY Creations handled all aspects of scripting, filming, editing and publishing in a timely manner. We engaged them for both organic content and ads.
Jae-Chan LeeMonthly content ideas, scripting and hooks. Decided before the shoot, so the day produces content with a job to do.
One shoot day at your place. Filmed, directed and edited into vertical Reels and carousels, two scripted hooks per video.
Captions, thumbnails and scheduling across Instagram, Facebook, TikTok and YouTube Shorts. Comments and engagement handled, Stories kept ticking over. DMs stay with you unless we scope them in.
We can run the media as well as make the creative, which almost nobody does. It's charged separately from your retainer and priced against your ad spend, so it's quoted on the call rather than packaged here.
Every video already ships with two scripted openings. Add more if you want to test harder.
Already have someone posting for you? Take the shoot and the edits and leave the rest out.
Plenty of good work doesn't fit a monthly package, and pretending it does helps nobody. These get scoped properly on a call.
A launch, a campaign, a brand film, a single day of raw filming you edit yourself. Scoped to the day, not the month.
Creative built specifically to run as paid media. Different brief, different volume. Priced with the media plan, separate from any retainer.
Product, food, portraits and brand stills. Often bolted onto a shoot day you're already paying for, which is usually the cheapest way to get it.
If you're not sure which box it goes in, that's what the call is for. I'll tell you straight if a retainer isn't the right shape for you.
No, but it usually works better if you are. Founder-led content outperforms faceless brand content on almost every platform right now. If you'd rather not, we build around product, process and team instead. Plenty of clients do.
I come to you. We've already agreed what we're shooting and the hooks are written, so the day is execution, not brainstorming.
Less than people expect. A four piece month is usually around two hours on site. Eight pieces is closer to half a day. It moves with the work though: multiple locations, wardrobe changes or a lot of resets take longer, and I'll tell you that when we're planning the month rather than on the day.
One free revision on every video, not one for the whole batch. Most places give you a single round across the month, which gets stingy fast when you only wanted one cut changed. Send your notes and I'll action them. Anything past that, structural changes after you've already approved a cut, or a reshoot get quoted separately.
Instagram, Facebook and TikTok as standard, plus YouTube Shorts where it makes sense for your business. The content is built vertical and repurposed across those channels rather than shot separately for each one, which is what makes one shoot day cover a whole month.
Comments and engagement on the content are included. DMs aren't. Customer service and sales enquiries are your voice, and they usually need answers only you can give. If you do want them handled, that's a separate charge and we scope it on the call.
No. It's month to month, and you can stop whenever it stops being worth it. Worth knowing though: content compounds. The first month is always the weakest, because we're still learning what your audience actually responds to. If you're going to judge it, judge it on month three rather than month one.
The first three seconds decide whether anyone watches the rest. Two scripted openings means we can test which one lands instead of guessing. Extra hooks are $50 each if you want more variations.
Yes. We shoot the creative and run the media in-house, which is rarer than it sounds. Most content studios hand you files, and most ad agencies can't make the content. Ads are quoted separately based on your spend.
Then we talk. Bigger output usually means more than one shoot day, and that's a conversation rather than a package.